Acting workshop at KLPac Open Day
Monday, January 28th, 2008On Sunday, I went to KLPac inaugural open day. Renowned actor, Joanna Bassey conducted an acting workshop for teenagers which I attended with about 20 other participants aged between 10 and 25 (my guess, although some participants did look pretty “matured”). The workshop lasted for approximately one and a half hours and Joanna introduced us to what professional acting is about and taught us some acting techniques.
Body control - It is of utmost importance for an actor to have a full control of his/her body. The first thing we did was warming up. It involved the typical stretching exercises like the what we did in PE lesson at school but this one, practically each and every part of your body has to be “warmed up”, from tip to toe. Every single muscle needed to be flexed, each frigging cell had to be felt. Well I am exaggerating but it was the first time I actually did a “warm up” on my mouth, chin, cheeks, eyebrows, nose and ears. The bottom line is, you need to activate, to feel, to take charge of the whole body.
You may practice this by simply doing the usual stretching exercises like in a PE lesson. But don’t forget to stretch those the lazy muscles underneath your face and also your tongue. Then, move your body, literally every single part all at once (like a jellyfish or a crazy monkey).
Voice projection - An actor’s job is to deliver a story to the audience effectively. One of the most important instrument of delivery, especially in a stage performance, is the actor’s own voice. The audience must be able to hear what being said clearly.
An actor must therefore master the proper breathing technique, where the ribcage expands and the diaphragm lowers as air filling up the lungs, instead of the opposite which most people tend to do when told to breathe in. When speaking, the voice must come out from stomach i.e. utter the words while breathing out. One should be able to feel a little vibration in the nose up to the forehead (practice by humming with different vowel sounds). The voice will sound louder as the air vibrates and it travels to the audience (my theory). Without proper breathing technique, one will hurt his/her throat although the voice can be heard.
Intonation - On top of a loud voice, an actor must say out his/her lines clearly. The audience must be able to hear the sound of each syllable clearly. Joanna taught us to exaggerate the sound of each letter of a word in a line. We practised a number of tongue-twisting lines like “she sells sea shells…” (with exaggerated ‘s’, ‘sh’ and ‘l’ sounds) and “Peter Piper picked a peck of pickled peppers” (which I had the most trouble with).
You can practice all the three techniques above by breathing out while saying, with exaggerated pronunciation, any random word and at the same time moving your body or walking around in random directions.
Interaction - Acting is never about “me, me and me alone”. When acting, one interacts with another object, human being or otherwise. The interaction must be made obvious. If an actor communicating with another actor, the latter should know that any speech or action is intended for him/her to respond. (A non-response is a response when acting. This one I add myself.) One must always be alert as the other actors might be trying to get him/her to respond to something, whether or not it is expected.
We practised this interaction part by playing some interesting games. We all formed a circle and one player “passed a clap” (by clapping) to either person on his left or right. The next person (who the clap was passed to) then pass it to another player. Each player may change the direction to pass the clap as he/she wished. There are two other games based on the same concept i.e. interacting with another player/actor but they are a little bit complicated to explain. The last game was pretty challenging. Instead of passing a clap, we had to “pass” an action/a sound and instead of passing it to the left or right, we had to pass to someone across in the circle.
The workshop was fun and I could say that it was the most fulfilling activity I participated in that day. It was a little bit awkward though because we didn’t know each other and some people were quite shy. Joanna was really nice and inspiring. I wish we had more time where she could share with us her experience on being an actor or how she became one and how we could get started as professional actors ourselves.
All in all, the whole open day event was great. The amazing a capella performance by Wicked Pitches was a crowd favourite. I saw quite a big number of people turned up for gamelan show (which I missed out, unfortunately). The props and costumes exhibition at Pentas 2 was really cool and colourful. However, the event could have been better. There were some new activities (such as the acting workshop) were added but not updated to the schedule put up on the web. Some activities (like the film screenings at IndieCine) didn’t follow the given schedule. It was such a let down that I missed out the 12-11 documentary.
The guided tour was apparently merely a backstage tour in the main halls, namely Pentas 1 and Pentas 2. We got to walk through some spaces that are usually not accessible to the public e.g. dressing room, control room, the stage, the green room, the “catwalk”. It would be better if they hold the event for a day or two and stretch the schedule a little bit allowing 10-to-15-minute breaks between activities.
There were so many activities that I wanted to join (e.g. theatrical biomechanics, musical theatre workshop) but most of them sharing the same time slot with other activities. For some activities (especially the workshops and screenings), they could have conducted a repeat in several different time slots so that those who missed the earlier sessions can join to the next ones. I also had trouble locating the venue for each activity and most importantly the nearest washroom (apparently there was only one accessible to the public: the one next to Pentas 2). It’d be easier if there was a floor plan because some studios/rooms are quite hidden.
It was a great event and Faridah Merican offered me her mineral water when I was practically almost dehydrated that day. Such an honour. Really looking forward to the next open day.



